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I FRONT PAGE I JEWISH SOCIETY & STYLE SECTION 1 2 3 4 5 6 7 8 9 10 I JEWISH ARTS, STARS & ENTERTAINMENT SECTION 1 2 3 4 5 6 7 8 9 10 I JEWISH & ISRAEL POLITIC HEADLINES 1 2 3 4 5 6 7 8 9 10 I NEWS & GOSSIPS FROM AROUND THE WORLD 1 2 3 4 5 6 7 8 9 10 I FANCY LIVING MAGAZINE 1 2 3 4 5 6 7 8 9 10 11 12 I LETTERS TO THE EDITOR 1 2 3 4 5 6 7 8 9 10 I CONTACT US I ARCHIVES 1 2 3 4 5 6 7 8 9 10 I
TO REVIEW
JULY 2005 EVENTS AND
NEWS
TO REVIEW AUGUST 2005 EVENTS AND NEWS PART 1
TO REVIEW AUGUST 2005 EVENTS AND NEWS PART 2
TO REVIEW AUGUST 2005 EVENTS AND NEWS PART 3
TO REVIEW AUGUST 2005 EVENTS AND NEWS PART 4
TO REVIEW AUGUST 2005 EVENTS AND NEWS PART 5
TO REVIEW SEPTEMBER-OCTOBER 2005 EVENTS AND NEWS PART 1
TO REVIEW SEPTEMBER-OCTOBER 2005 EVENTS AND NEWS PART 2
TO REVIEW World Jewish Theater News &Reviews.
MAGAZINES
PUBLISHED BY THE WORLD JEWISH NEWS
CLICK HERE TO REVIEW THE MONTHLY MAGAZINES PUBLISHED BY THE WORLD JEWISH NEWS AGENCIES AND AVAILABLE ONLINE, ON THIS SITE FREE OF CHARGE.
REACHING 2,250.000 READERS AROUND THE GLOBE
Jewish Arts, Culture, Stars&Entertainment Section.
September-October. P2. 2005.
By Maximillien de Lafayette, Editor-in-Chief of the World Jewish News Agency, Senior Art Critic of the International Herald Daily news http://www.internationalheralddailynews.org and World Art Celebrities Journal http://www.worldartcelebritiesjournal.com
ARTISTS OF THE MONTH: COMING SOON Read the full article


AMERICA'S 100 GREATEST
JEWISH WOMEN. BY MAXIMILLIEN de LAFAYETTE.
We did not
write about them and print their photos, because their husbands or
fiancés bought them a $4 million diamond ring or a $140,000
Christian Dior's wedding gown and became a celebrity overnight! We
did, because, meaningfully, they contributed to our society, to
arts, to humanities, to education, to science and world peace. They
are here, not because, they threw the best parties in the Hamptons,
Ibiza or Malibu, or because Joan Rivers said so, the National
Enquirer gossiped about them, or because, they know the difference
between Calvados, Chateau D'Yquem and root bear. They are on our
list, because, they brought warmth to our families, light to our
eyes, tender whispers and gentle affection to our hearts,
and....because they are the best in their fields! We selected them,
because they have heart, brains, presence, principles, culture,
remarkable accomplishments, "un je ne sais quoi", a certain
mesmerizing aura, perhaps, some have a delightful madness
Read the
full article and see their photos!
Beyond Bagels and Blintzes – Exploring the Global Diversity of Jewish Food
Photo:
Rabbi Chava E. Koster, the first woman from the
Netherlands to be ordained a rabbi, has joined The Village Temple, a liberal
Reform congregation of over 300 families, celebrating its 51st year. Prior to
this, she was Associate Rabbi at Temple B'nai Abraham in Livingston, New Jersey.
Rabbi Koster studied at the Academy for Jewish Religion and was ordained in
1997. She was awarded her Doctoral degree in English Historical Linguistics by
the University of Amsterdam in 1986 and a Masters Degree in Jewish Studies and
Jewish Education from the Jewish Theological Seminary in 1993. She also earned a
fellowship at the Melton Center for Research in Jewish Education in New York
that same year.
Jewish food has had a strong influence on American cuisine, primarily foods of Eastern European origin. Once limited to New York City, the formerly exotic bagel is now a staple of the world’s diet and is sold from Singapore to Mexico City. Jewish food goes, however, well beyond the bagels and blintzes. Acclaimed food expert, chef, historian (and Rabbi) Gil Marks will explore the global diversity of Jewish food. Rabbi Marks, an authority on Jewish cooking, will prepare several fabulous holiday dishes. He will discuss his experiences exploring Jewish communities and cuisine all over the world. Rabbi Marks is the author of Olive Trees & Honey (Winner of 2002 James Beard Award) . He has been featured on radio and television, including the Food Network's "Food Live" and has taught at the Culinary Institute of America and at Macy's De Gustibus. This event is sponsored by the Village Temple Sisterhood on Wednesday, September 21st at 7:00 p-m at the Village Temple, 33 East 12th Street, between University Place and Broadway, two blocks from the Union Square Subway Station. The suggested donation is $5.00. The Village Temple Sisterhood is a multi-generational group of dynamic women. It serves the Village Temple community by offering supportive programs that enhance the warmth of worship services and the connectedness of all Jews. It also presents lectures and organizes other events throughout the year, often in conjunction with holidays. Sisterhood members actively translate the principles of Judaism into concern and action. They are “not your mother's Sisterhood.” For further information on this event or other Village Temple Sisterhood programs, please contact Janet Falk, 212-677- 5770. The Village Temple, led by Rabbi Chava Koster and Cantor Kathy Barr, has served the Reform Jewish community in Greenwich Village and Lower Manhattan for almost 60 years. It blends the beauty of tradition with the creative expression of modern Judaism, providing community and worship experiences that are both participatory and joyful. The Village Temple is committed to social justice, supporting many community outreach activities. It has operated a Soup Kitchen for almost 20 years that continues to serve hot meals to over 150 people each week. The Temple sponsors a vibrant religious school for students in grades Pre-K through high school, exciting adult education programs, and many enjoyable social events. For further information, please contact Maria DeKord, 212-674-2340.
Event Type: Cooking Demonstration and Lecture. Title: THE GLOBAL DIVERSITY OF JEWISH FOOD featuring: Gil Marks. Wednesday, September 21st, 7:00 p.m. at The Village Temple, 33 E. 12 Street, New York NY 10003 (Between University & Broadway). Suggested Donation: $5.00. Contact: Janet Falk, Sisterhood President, 212-677-5770.
Photo:
Cantor Kathy J. Barr has been performing since the age of seven. A
native New Yorker, Cantor Barr made her operatic debut at the age of nine,
as the Witch in "Hansel and Gretel" at the 92nd St. Y, and her broadcast
debut at the age of thirteen, playing Beethoven's Pathétique Sonata on the
piano over WNYC's Young America Plays. Prior to beginning her cantorial
studies, she was active in regional opera and oratorio as well as in
liturgical music and performed as soloist both at home and abroad, including
concert tours of the Caribbean, Italy and two tours of Greece with Robert
DeCormier and the New York Choral Society. Orchestral engagements have
included the New York Philharmonic, the American Symphony Orchestra, the
Pittsburgh Symphony, the Dallas Symphony Orchestra, and the New York Opera<
Orchestra, where she worked with such noted conductors as Zubin Mehta, Lukas
Foss, Robert DeCormier, Abraham Kaplan, Matthew Lazar, Sergiu Comissiona,
Robert Shaw, and Gerard Schwarz. She has recorded for Vox Turnabout,
Centaur, Sine Qua Non, Not Nice Music, Book of the Month Records, and for
the Western Wind, "The Birthday of the World," a set of 2 CD's of High Holy
Day music.
She
was ordained in 1996 by The Academy for Jewish Religion, a seminary
dedicated to Jewish pluralism, located in New York City. Cantor Barr has
taught grades K - 7 in religious school, led High Holiday services at
Manhattan's Central Synagogue (Reform) for eight years and after ordination,
served Congregation Beth Shalom (post-denominational), West End Synagogue (Reconstructionist),
and North Shore Synagogue (Reform) in Syosset, Long Island. Cantor Barr is
married to Ed Weissman, an attorney, and is the proud mother of Sara and
Nora Fantry.
Photo: The Village Temple: A Reform synagogue affiliated with the Union for Reform Judaism, The Village Temple blends the beauty of tradition with the creative expression of modern Judaism. Worship at The Village Temple is both participatory and joyful. The Temple sponsors a vibrant religious school, exciting adult education programs, an active community outreach effort and many enjoyable social events.
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MAGAZINES PUBLISHED BY THE WORLD JEWISH NEWS AGENCY CLICK HERE TO REVIEW THE MONTHLY MAGAZINES PUBLISHED BY THE WORLD JEWISH NEWS AGENCIES AND AVAILABLE ONLINE, ON THIS SITE FREE OF CHARGE CLICK HERE TO READ "FANCY LIVING" MAGAZINE: ISSUE No.2. OCTOBER 2005. VOLUME 1, No. 2 NEW YORK, LONDON, PARIS. INTERNATIONAL EDITION ROCHELLE KRICH AMERICA'S CRIME FICTION KEY PLAYER
OUTSTANDING JEWISH WOMEN OF THE MONTH
SUCCESSFUL NEW YORK JEWISH WOMEN AMERICAN NOUVELLE HIGH SOCIETY VERSUS THE INTERNATIONAL ELITE. Brief Analogy: Differences and Similarities: The bizarre, the real and the incomprehensible
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READ: 2-GLANCE AT THE SUMMER 2006 LINGERIES FASHION. 3-SUCCESSFUL NEW YORK JEWISH WOMEN. 4-OUTSTANDING JEWISH WOMEN OF THE MONTH. 5-MAJOR JEWISH AND ISRAELI EXHIBITIONS. 6-THE WORLD OF GLAMOUR: EXTRAVAGANT FASHION, COIFFURE , MAKEUP. 7-UNITED STATES' WOMEN OF GREATNESS: JEWISH WOMEN TAKE THE LEAD. 8-THE FAILURE OF THE CIA. 9-HOW OUR AMERICAN DEMOCRACY AND INTERESTS CONQUERED AND ILLEGALLY ANNEXED HAWAII BY FORCE. 10-THE FABULOUS ROCHELLE KRICH... and MUCH MORE
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EVENTS
Equus at Mehu Gallery
The Mehu Gallery, well-known for its intriguing exhibits, and located at 21 West 100th Street, New York, NY, 10025 right by beautiful Central Park, is currently exhibiting an outstanding show: Equus. Horse-related images are the theme for this extraordinary event, but a horse is not always a horse, it can be something totally different. This is an art show of great diversity, showcasing the talents of thirteen artists of all backgrounds, nationalities, and ethic origin. Watercolors, oils, pastels, pencils, photographs, shadow boxes and three dimensional art objects are there, with each artist giving his or her own unique meaning to the elusive theme. Some of the artists are well known, a few are young and show great promise. All are impressive. Patricia J. Wynne needs no introduction. For decades, her work graced private collections, museums, and art galleries. As always, her art is outstanding, scientifically accurate, artistically impeccable, and emotionally captivating. Her magnificent study of one of the gilded bronze horses of San Marco dominates the show. Maceo Mitchell, an award-winning member of the Pastel Society of America in the National Arts Club, where he exhibits regularly and teaches as well, explained that horses are a new subject for him. Generally he concentrates on highly disciplined studies of fruit and vegetables. Despite his complains about the anatomy of horses, the work is up to his usual high standard. I was particularly impressed with his elegant study of a zebra head.
Each artist brought a unique style. Dianne Gaspas’s sea horses, meticulously rendered in watercolor, are charming, the subject matter showing a touch of whimsy and great elegance. Ivy Rutzky’s soft pastels of “The West Viewed from Horseback” have a dreamy quality, drawing you into her own special universe of delicate light and shadow. Daisy Eneix work is intriguing, particularly her historically influenced “Door” from Switzerland. Gabrielle de Montmollin’s luminous black and white photographs are stunning. She named them “Untitled” but to me they bring to mind the mystery of
A Midsummer Night’s Dream. Dustin D’Andrea digitally enhanced photographs are amusing and beautifully designed. A young artist with great promise. As for the three-dimensional art, Greg Thomas presented interesting, well-crafted, and appealing woodwork bowls, and Ilil Arbel’s royally dressed and crowned Catherine the Great as a Horse, holding her own unicorn, has a strange, somewhat disturbing beauty. Do not miss this exhibition!E q u u s:
September 15 – October 9, 2005. Reception: Thursday September 15th, 6 to 9 pm. MEHU GALLERY, 21 West 100th Street, New York City 10025, 212-222-3334. Tuesday – Friday: 12 – 3pm & 5 – 8pm. Saturday and Sunday: 12 – 6pm. Talk: Evolution of the hors. Sunday, September 18th, 1:00 By Suzi Zetkus. Closing reception:. Sunday October 9th 3 to 6pm (Artist Demonstration).
NYU TO HOST “GAZA WITHDRAWAL AND AFTER – IMPLICATIONS FOR ISRAEL, PALESTINE, AND THE MIDDLE EAST”
AUTHORS AND WRITERS BOOK SIGNING
Help for Families in Alchohol Crisis
:
William ‘Bill’ Borchert, famed screenwriter and
author of The Lois Wilson Story
will discuss his book, "The Lois Wilson Story: When Love Is Not Enough", his
close friendship with Lois Wilson and how the book came about.*Sponsored by
Choices Bookstore in
Photo:
"My Name is Bill W." by William "Bill Borchert.
Based on the true story of Bill W. (James Woods), a successful
stock broker who's life falls apart after the stock crash of the 20's must and
come to grips with his alcoholism. He forms a support group with fellow drunk
(James Garner)that would eventually become Alcoholic's Anonymous.
THE AUTHOR: In 1989,
William ‘Bill’ Borchert was nominated
for an Emmy after writing the highly acclaimed Warner Brothers/Hallmark Hall of
Fame movie, My Name Is Bill W.,
which starred James Garner, James Woods, and JoBeth Williams. Borchert has also
written for one of
SKIP THE STEREOTYPES
BUT PASS THE CHALLAH JEWISH MOTHERS WELCOME HERE
At
San Francisco's Congregation Sherith Israel, you won't find young women
rejecting the title of "Jewish Mother". Instead, here they embrace it. Just ask
the young mothers who make up the Sherith Israel Mamas, a support group designed
to help women create a Jewish home for their families. The group, which began
almost 18 months ago, is committed to making parenting a spiritual journey.
Lida Morgenstein, a new mother and congregation member, created "Mamas". She saw
the need for a small, consistent group that would meet weekly and share
experiences about the specific issues of both parenting small children and
creating a Jewish home. Mimi Greisman, Sherith Israel's Early Childhood
Educator, joins in part of the time with child rearing advice, and Rabbi Julie
Saxe-Taller, herself a new mom, helps the group understand the Jewish ways of
doing things, but the mothers themselves run the program. The group read "The
Blessing of the Skinned Knee", a book on being a Jewish parent, and that first
ten week session led to another and another and another until it lasted for 40
weeks. "It is important that this group is lay-led, " said Lida. "Sharing advice
with each other rather than from experts somehow feels better and is more
palatable. There are so many different approaches to parenting. But we all have
kids going through the "terrible twos" or the defiant 3's, and we all have
husbands who don't necessarily see things the way we do and none of us want to
confuse the kids." Lida cautions that none of the parents claim to be experts
they are just sharing experiences, and it is the sharing of intimate stories
that makes the group work. "If women are not comfortable sharing, if they are
really private people, this may not be the right place for them," she added.
Creating a Jewish home and strengthening a feeling of community are the real
goals of the Mamas group. Members come from all levels of Jewish education and
backgrounds; for example, some have celebrated the Sabbath consistently in the
past, some never. "Now we feel like we are taking 'Shabbat 101' together so it
takes away the pressure to do it right," said Lida. The women discuss how to
make Shabbat meaningful and relevant in their own homes. For some it means a
slower, quieter meal, holding hands, a family hug; others invite another family
to share the meal. Through the year, the group studies the major Jewish
holidays, what they mean, how to make them relevant to the children, what craft
projects might be appropriate. Many of the mothers welcome this first experience
with ritual, and they have added family potlucks, holiday decorating parties,
and other social gatherings. The Mamas group has space for 10 women at a
time, and a new one is forming now. It is ideal for women with children under
the age of 3 who want to incorporate Jewish traditions and values in their
parenting. Meetings are every Friday morning for 10 weeks. Fee is $120 for
members/$150 for nonmembers. For more info, email
lida@morgenstein.net. Contact:
Miriam Goodman: 415 626 5149

THEATER, MUSIC & ENTERTAINMENT
AMERICAN
RED CROSS BENEFIT PERFORMANCE OF CIRQUE JACQUELINE.
CELEBRATED ONE-WOMAN PLAY ABOUT JACKIE O, TO SUPPORT THE RELIEF EFFORTS FOR
HURRICANE KATRINA
Photo: Andrea Reese as Jackie O. Photo credits: Lisa Kapler.
New York, NY - On Monday October 10, 2005 at 7pm there will be a special
benefit performance of Cirque Jacqueline at The Triad Theater in Manhattan,
located at 158 West 72nd Street. All proceeds from this event will go directly
to The American Red Cross Disaster Relief Fund. Cirque Jacqueline is Andrea
Reese’s highly acclaimed one-woman play about Jacqueline Kennedy Onassis that
she has been performing in New York City and around the country for over three
years. In Cirque Jacqueline, we meet the real Jackie who hid beneath a carefully
constructed public persona.
Cirque Jacqueline is directed by Charles Messina, who has been slated to direct
the upcoming Broadway musical about tragic opera singer Mario Lanza,
Be My Love. He wrote the feature film Spy, starring Vincent Pastore, Frank
Vincent, and Ben Curtis, which will soon be released. Also in the play in a
surprise role is Paul Urban. The Triad Theater’s owner, Peter Martin, and
everyone connected with this benefit are generously donating their services.
Raves about Cirque Jacqueline: “Amazing! Very authentic, very real.” CBS-TV
News. “Andrea Reese channels Jackie O in this one-woman show. The upshot is a
character of both charm and substance.” The New Yorker. “Andrea Reese is the
quintessential Jackie and channels the former first lady down to the last
detail.” The Journal News. “Memorable...An absorbing and dignified one woman
show.” The Boston Globe
The Triad Theater, 158 West 72 Street, between Broadway & Columbus , Avenue in
NYC. Reservations: (212) 501-2584. Suggested Contribution: $40, payable at the
door in cash or by check made out to The American Red Cross Disaster Relief
Fund. Running time: 85 minutes. Trains: 1,2,3,9, or C to 72nd Street
Andrea
Reese has appeared in numerous independent films, including Release
with David Letterman and Caleb's Door, soon to be released. Stage roles
include "Margy" in The Widow's Blind Date at the John Houseman Theater,
co-directed by Israel Horovitz, and "Melissa" in Love Letters on Theatre
Row. She has also worked extensively in commercials and industrials. After years
of being told she resembled Jackie O, she wrote Cirque Jacqueline, a one
woman show about Jackie O, which premiered at Bank Street Theatre March, 2002,
as part of the Titans' Theatre Company season, followed by performances at The
Corcoran Gallery, The Jean Cocteau Repertory Theater, The Bosakowski Theater,
Crossroads Theater, and The Triad Theater. She is a graduate of Sarah Lawrence
College and University of California, Irvine (MFA) and she completed a 2-year
Meisner program with Jim Bonney in Manhattan. Her special skills include
classical singing, drawing portraits, and middle eastern dance.
Read the article in Internet format
NEWSFLASH: Red Cross Benefit To Support The Relief Efforts For Hurricane Katrina (Read More)

Rabin
musical premieres in Tel Aviv
Photos from L to R: #1.Gila Almagor. #2. Oded Teomi.
An inspirational way to remember and cherish the memory of Prime Minister Yitzhak Rabin came in a most refreshing way: "HE WHO DREAMED", a MUSICAL to be performed in November 2005 in Tel Aviv. The play rotates around the last 10 memorable years of the Israeli leader and world peace lover who was assassinated in 1995. Gila Almagor, one of the best Israeli artists will play Leah Rabin, while Oded Teomi will portray the late Rabin. It is an all stars production which includes the highly celebrated Israeli singer Shuly Natan. The musical is written and directed by Gadi Inbar, a Los Angeles bases playwright. Gila Almagor, one of Israel`s leading actresses, was born in Eretz Israel in 1939, four months after the death of her father, and grew up in various children`s institutions. She has been a professional actress since the age of 17. At age 25, Almagor went to study in New York. On her return two years later, she started performing in Israel`s top theaters.
Photo:
Gila Almagor.
She has also appeared in leading roles in some 40 movies as well as in numerous television programs, and has hosted her own radio show for eight years. Gila Almagor has published four books for children. Her first book, Aviya`s Summer, has been translated into nine languages. The film based on the book received the Berlin Silver Bear Award (1989), the Golden Spike Award at the Spanish Valladolid Festival (1989), and was named Best Foreign Film at the 1989 San Remo Festival. In 2004, Almagor received the Israel Prize for Cinema. She is actively involved in voluntary work with children suffering from cancer.

Photos
from L to R: #1 Shuly Natan. # 2 Shuly with first Lady Hilary Clinton.
Since she first electrified Israel with her heartfelt rendition of the then unknown song, Jerusalem of Gold, Shuly Nathan has sung of the hope and the pain of the nation. Ever since that historic performance in 1967, Shuly Nathan has performed for countless audiences, in Israel and worldwide. Her unique voice holds the listeners in its spell, and every performance turns into a spontaneous sing-along. A storyteller, she accompanies her songs with stories in Hebrew, English, French and Spanish. Shuly Nathan accompanies herself on the guitar, as she sings Israeli songs, folk songs from around the world, Hassidic and Yiddish songs and songs of the Oriental Jewish community. Her concerts last one and one-half hours. Her singing can also be incorporated into performances on a larger scale, for both personal and public events with a touch of gold. Shuly Nathan has lived in Israel since she was two years old, when she arrived here with her parents from her native London. Her childhood was an active pursuit of two passions - athletics and music.
At age 16 she made the choice to concentrate
on music, singing and playing the guitar. In the military, she was a
soldier-teacher, bringing literacy skills to new immigrants. As she taught them
to read and write in Hebrew, they taught her to sing in their native languages.
During that period she also appeared on amateur radio programs. Songwriter and
composer Naomi Shemer heard her singing, and asked Shuly Nathan to sing a song
she had written "as a vignette," an addition to the Independence Day Song
Contest in Jerusalem. The year was 1967, the song was Jerusalem of Gold. It is a
song that has stood, stands, and will stand above all competition. At the time
Shuly Nathan was still a soldier, and as she traveled along the war zone
entertaining the troops with her singing, the song took on a life of its own,
turning into a hymn, a prayer for peace. It was sung by worried civilians and by
weary soldiers. It was the heartbeat of the nation. The population of Israel was
then 2,500,000 - and 300,000 records were sold, a number unheard of in those
days. Since then, Jerusalem of Gold has been translated into some forty
languages. More songs followed. Part of the prevailing mood of the sixties was
the reawakening interest in folksongs, and Shuly Nathan embraced this grassroots
form. She collected folksongs as she traveled, and traveled as she sang her
songs. She sang songs of Israel and of Jews from around the world, American and
Irish folksongs, Hassidic and Ladino songs. Many of these songs are available on
CDs. For a decade or so her singing voice was silenced by the clamor of her five
children, but as they grew up, she returned to performing and recording. She has
toured the United States and Canada, sung in many European cities, and in
Australia Japan and South America.
BENJAMIN LAPIDUS AND SONIDO ISLEÑO CELEBRATE RELEASE OF "VIVE JAZZ" CD IN CONCERT FRIDAY, OCTOBER 7 AT CLEMENTE SOTO VÉLEZ CULTURAL CENTER, NYC
Photo:
Maestro virtuoso, Benjamin Lapidus.
Tres master and guitarist Benjamin Lapidus and Sonido Isleño will celebrate the release of their fifth CD "Vive Jazz" with a CD release concert on Friday, October 7 at the Clemente Soto Vélez Cultural Center, 107 Suffolk Street, in NYC. Joining Lapidus are bassist Francisco Javier Cotto, percussionists Felix Sanabria, Hector Torres, and Michael Molina as well as numerous guests. Since 1996, this combination of New York musicians has thrilled audiences throughout the world. The music's great - a mix of jazz and Spanish-Caribbean music full of mystery, melody, improvisation, and groove which achieves its sound with string instruments and percussion - and Lapidus is a fascinating guy. Born in Hersey, PA to first-generation American Jewish Brooklynites, he moved almost 15 times before returning to New York City at the age of 14. He was exposed to music by his grandmother and his father, who played in Latin and Jazz bands in the Catskills in the 1950's. Through his father's record collection and stories of his father's visits with his Latin American relatives, the seeds of Latin music were planted. Yet it wasn't until the 1980's that the youngest Lapidus became immersed in Latin music, when he moved to a predominantly Latin neighborhood in New York City. Some of his music reflects a merging of his Jewish and Latin roots. One piece on the CD, "Heebaro" is based on the traditional jíbaro music of Puerto Rico, and references Lapidus' long-term involvement and comfort with Jewish and Latino interactions. In addition, he has served as scholar-in-residence with the Jewish Museum during three humanitarian missions to the Jewish communities of Cuba....Read the full article In Internet Format
Advertiement

Jewish Meets Jazz with Eastern European Inspiration. Marc Bernstein’s "Kibrick”
Concert and Lecture Part of “Talk and Play” Series at the Center for Jewish History
Photo:
Marc Bernstein.
New York- Marc Bernstein and his group will be performing new compositions inspired by Jewish culture/music from Eastern Europe and the Bernstein’s (nee Kibrick) own history as immigrants during the start of the turbulent 20th century. This concert is part of the “Talk and Play” series which was created in the summer of 2004 by Paul Weinstein. The group’s newest recording – Marc Bernstein 4 “Kibrick” – was released in January 2005 in Copenhagen, Denmark and Marc Bernstein has performed the music all over Europe. The concert at the Center for Jewish History, 15 West 16th Street (between 5th and 6th Avenues), New York City will be the first performance of this music in the United States. Some of the finest jazz musicians in New York City will join Marc Bernstein, saxophones including Mike McGuirk, bass; Bill Campbell, drums and Pete Rende, piano. Marc Bernstein was born in Brooklyn and lived in and around New York City until he moved to Denmark in 1995 to lead the jazz department at The Danish Conservatory of Music and Communication. Marc has recorded and performed with jazz greats such as Tom Harrell, Billy Hart, Billy Cobham, Chico Hamilton, Jimmy Cobb, Bob Mintzer and Hal Galper. This concert is In conjunction with the exhibition “Greetings from Home: 350 Years of Jewish Life in America” presented by the American Jewish Historical Society in cooperation with Yeshiva University Museum and the American Sephardi Federation with Sephardic House and the film ”Willie the Lion”, part of the Editing America film series at the Center on Monday, August 22 at 7:00 pm. The son of a Jewish cantor and an African-American organist, Willie “the Lion” Smith, a cantor himself, is considered, along with Fats Waller, one of the greatest pianists of his era. Conversation and stride piano performance hosted by Paul Weinstein with Marc Fields, and pianist Terry Waldo. What critics are saying: “On “Kibrick”, Bernstein deploys the special Slavic footprints he has in his past and combines them with jazz to create an inspired global cocktail. His gorgeous tone and playful open grooves are presented energetically, expressively and poetically." Information-Copenhagen . “Extremely elegant saxophone playing and an absolutely brilliant recording. " Helsingin Sanomat-Helsinki. “Interesting, exciting and serious music performed with precision, energy and humor…” Dagbladid Visir-Reykjavik.
What
the critics wrote about Marc Bernstein: "....all three soloists
managed an individual identity, most notably Marc Bernstein,who was the
final soloist and sustained interest to the end." - John S.
Wilson, New York Times "....Marc’s Dolphy-like attitude
emerges,but in his own way.He has a lot of personal conviction."
- Ira Gitler, Jazz Times Magazine "….Bernstein
demonstrates a deep reverence for the tradition, and he is a musician
with full control over his instruments and with a direct connection to
his heart. Bernstein’s solo’s are articulate, melodic and energetic."
- Bent Kauling, Jazz Special Magazine "….Bernstein
plays soprano, alto, tenor and alto-flute - all with his own
characteristic sound. On alto with a insisting, sharp attack which comes
across very convincingly, and on tenor with a warm and beautiful tone".
- Boris Rabinowitsch, Politiken
Admission: $10.00/$5.00 for students and seniors Box Office: 917-606-8200 .
About the Center for Jewish
History
In 2000, the Center for Jewish History, located in the
heart of the historic Chelsea district, became the home of five
distinguished partner institutions—the American Jewish Historical
Society, the American Sephardi Federation, the Leo Baeck Institute,
Yeshiva University Museum, and the YIVO Institute for Jewish Research.
Sharing a common vision of preserving and presenting Jewish culture and
history, the five partner institutions in coming together, have created
a meeting place where intellectual inquiries are exchanged and freely
explored, and where the general public can find cultural programs
devoted to a wide variety of themes and concerns. The combined holdings
of the Center’s partners include over 100 million documents, books, art,
artifact, photos, and other materials, making the Center the largest
repository of Jewish history and culture outside the State of Israel.
By Maximillien de Lafayette
Anna Bergman is tailored made for world cabaret. She is Jewish. She is cosmopolitan. She is American. She is a dear dear friend. And she is the best French-American Cabaret Singer. Unquestionably. The phrase "La Crème de La Crème" was hand written to accentuate the class, finesse, talent and persona of Anna Bergman. In my book, she is "La Chanteuse" par excellence...Read the full article
Satalla September 2005 Calendar Highlights
Wednesday, September 7 at 9:30 PM
Howling Makams
Admission is $15

Photo: Brandon Terzic.
The NYC-based Howling Makams play a unique blend of Near Eastern music with a free jazz sensibility. Working within the incredibly rich "maqam" (modal) system of the East, they constantly trying new forms and approaches to stretch the canvas and fill it with new sounds. Led by Brandon Terzic (oud, saz), the Makams boast an outstanding lineup of musicians, including master multi-instrumentalist Tom Chess (ney, flute, oud) and a rhythm section featuring Matt Kilmer (percussion), Rich Stein (percussion) and Michael Savino (acoustic bass). The Village Voice calls them "The Arabic Sun Ra." Bellydancing by Kaeshi from Bellyqueen and her students.
Monday, September 19 at 7:30 PM
Mikveh
Admission is $15
Photo:
Adrienne Cooper from Ghetto Tango.
Mikveh began when Obie-winning playwright Eve Ensler called Alicia Svigals to put together an all-star group of female klezmer musicians to join a host of celebrity performers at her gala event V-Day in New York. As a founding member of the Klezmatics, Svigals was well-positioned to do just that, and she called singer Adrienne Cooper, accordionist Lauren Brody and bass player Nicki Parrott. The group rocked the house at their very first performance at the Hammerstein Ballroom Theater and then at Madison Square Garden for the second V-Day, sharing the stage with Whoopi Goldberg, Oprah Winfrey, Lily Tomlin, Glenn Close, Phoebe Snow, and Brooke Shields among others. Soon afterwards trumpeter/vocalist Susan Hoffman Watts joined the group and kicked up the excitement one more notch. Since then, Mikveh has brought their unique woman- inflected spin on Jewish roots music, both traditional and brand-new, to audiences around the U.S. and Europe.
Wednesday, September 21 at 9:30 PM
Howling Makams
Admission is $15


Photos from L to R: #1. Kaeshi. # 2. Kaeshi, Nina Utne, Zhena, Sil at "LOVE YOUR TREE", 2005.
The NYC-based Howling Makams play a unique blend of Near Eastern music with a free jazz sensibility. Working within the incredibly rich "maqam" (modal) system of the East, they constantly trying new forms and approaches to stretch the canvas and fill it with new sounds. Led by Brandon Terzic (oud, saz), the Makams boast an outstanding lineup of musicians, including master multi-instrumentalist Tom Chess (ney, flute, oud) and a rhythm section featuring Matt Kilmer (percussion), Rich Stein (percussion) and Michael Savino (acoustic bass). The Village Voice calls them "The Arabic Sun Ra." Belly dancing by Kaeshi from Bellyqueen and her students.
Satalla - 37 West 26th Street between Sixth Avenue and Broadway 212.576.1155

Photos
from L to R: #1. Faye Ginsburg. #2. Barbara Myerhoff.
American Jewish Icons presents Faye Ginsburg - The Casden Institute for the Study of the Role of Jewish Life in America,. Univ. of Southern California. American Jewish Icons presents Faye Ginsburg on “Barbara Myerhoff In Her Own Time” Documentary filmmaker Barbara Myerhoff explores simultaneously the lives of Hasidic Jews in Los Angeles and her own (eventually fatal) cancer. The film exposits a spectrum of responses to Jewish life in America, one traditionally observant and the other intensely secular—yet reveals an underlying link of spiritual and moral commitment.
Photo:
Ari L. Goldman.
American Jewish Icons presents Ari L. Goldman - American Jewish Archives Cincinnatti, Ohio. American Jewish Icons presents Ari L. Goldman on “The New York Times and the Jews”. Journalist A.M Rosenthal’s 1958 feature article, "No News from Auschwitz" in the New York Times Magazine was both an unusual departure in journalistic practice and one of the first calls for memorialization of the Holocaust among Americans outside as well as inside the Jewish community. This was a turning point in the relationship between the New York Times and the Jewish community in America, which has had an ongoing legacy.
Photo:
Hank Steinberg.
Jewish Image Awards in Film and Television - Beverly Hills Hotel, Beverly Hills, CA . Annual awards dinner recognizing outstanding contemporary creative work, transcending stereotypes and clichés that portray Jewish characters, values, history and traditions, in film and television. The 2005 Industry Leadership Award will honor Lucy Fisher, Vice Chair of Columbia/Tristar, who is considered one of the most important women in Hollywood. Lucy Fisher - Industry Leadership Award. Hank Steinberg - Creative Spirit Award. Jeffrey Tambor - Host. Date: October 10th 2005. Contact: Lewis Haidt 213-387-0990
Photo:
Barbara Kirshenblatt-Gimblett.
American Jewish Icons presents Barbara Kirshenblatt-Gimblett - Center for Judaic Studies, University of Denver. American Jewish Icons presents Barbara Kirshenblatt-Gimblett on “The Jewish Palestine Pavilion at the New York World’s Fair” American Jews were instrumental in creating the Palestine Pavilion, a display of de facto statehood. The Pavilion shows how American Jews defined themselves in their relationship to a Jewish homeland. The Pavilion also functioned as a virtual Jewish state and helped to bring about that which it projected. Date: September 22nd 2005.
Paul Taylor Dance Company - Omaha Performing Arts Society. Paul Taylor Dance Company performs Klezmerbluegrass. In honor of the 350th anniversary of Jewish life in America, the NFJC commissioned the world-renowned choreographer Paul Taylor to create a new work. This critically acclaimed piece, Klezmerbluegrass, celebrates the creative synergy between Jewish and American culture. Date: November 5th 2005 Contact: Ilana Lewin 212-629-0500ext214
Eliza
Gilkyson's latest
offering on Red House Records, Land of Milk and Honey, is decidedly
socio/political in nature, from the Iraq War awareness plea, "Hiway 9", to
the call for peace in Woody Guthrie's previously unrecorded and timely peace
anthem, "Peace Call", a track featuring vocals by friends and fellow artists
Patty Griffin, Mary Chapin Carpenter and Iris DeMent. Gilkyson doesn’t pull
any punches on Land of Milk and Honey: “This is music for a generation that
won’t stand idly by while its vision for improving the quality of life on
earth seems ever clouded by a dust-storm of politics, power, greed and
global unrest.” Especially touching is the mother's prayer, "Tender
Mercies", with background harmonies by Eliza's son Cisco and daughter Delia.
Gilkyson's lush and passionate voice wraps itself around the major themes of
her generation, with topics ranging from the peace movement and abusive
relationships ("Ballad of Yvonne Johnson") to personal relationships
("Separated"), and coming to terms with the folly of man ("Milk and Honey").
Through all these weighty topics, Eliza never loses sight of her sense of
optimism ("Wonderland") and her hopes for humanity.
Eliza
started her own label, Realiza Records and put out Misfits in 1999, a
collection of outtakes that received favorable press as a sound that
connected the worlds of folk and modern storytelling. In 2000, Eliza
released her first album on the Red House Records label, Hard Times in
Babylon. The album was a critical success followed quickly by more acclaim
for Lost and Found. She has also been on several compilations issued by Red
House, including the Bob Dylan tribute album, Nod to Bob, and the recent
release, Going Driftless, a collection of Greg Brown songs all done by
female songwriters. Eliza has recently appeared on NPR's All Things
Considered, Austin City Limits and on tour with Patty Griffin and Mary
Chapin Carpenter. In February of 2003, she was inducted into the Austin
Music Hall of Fame, alongside such luminaries as Willie Nelson, Townes Van
Zandt, Nancy Griffith, and others. Eliza's most recent release is Land of
Milk and Honey, a recording decidedly more sociopolitical in theme. She
begins touring this Spring of 2004 in her new van, dubbed El Presidente.
KITTY BRAZELTON &
DAFNA NAPHTALI'S 21st-CENTURY CHAMBER ENSEMBLE
WHAT IS IT LIKE TO BE A BAT? BRINGS REVOLUTION TO THE STONE ON
TUESDAY, AUGUST 30th
* First NY Performance Since Release of "Brilliant & Dangerous" 2003
Self-Titled Tzadik/Oracles CD *
"What
is it Like to Be a BAT? neatly bridges the multi-gaps between smart,
weird, and passionate while throwing in invigorating doses of funny...wonderful,
even wondrous work." - Orlando Weekly. "Frenzied one
moment, stately the next, "What Is It Like to Be a Bat?" suggests a
carefully planned jam session between John Zorn and Frank Zappa at a John
Cage tribute concert curated by Laurie AndersonŠ Brazelton and Naphtali
compose and perform with equal precision, fire and whimsy, and the manner
in which they weave live and recorded voices and instruments is both
ingenious and invigorating." - George Varga, San Diego Union
Tribune
WHAT IS IT LIKE TO BE A
BAT? Showcases its revolutionary approach to the chamber ensemble in
concert at John Zorn's club The Stone, Corner of Avenue C and 2nd Street,
NYC on Tuesday, August 30th at 8 p.m. BAT will be followed at 10 p.m. by
the Seattle-based renegade theater-dance-music-performance art group
Degenerate Art Ensemble. Tickets
are $10, available at the door. August
at the Stone is booked by Tzadik/Oracles artist Carla Kihlstedt.
Founded by composer/performers Kitty Brazelton and Dafna
Naphtali in 1997, WHAT IS IT LIKE TO BE A BAT? adds the dazzle
of classical training (operatic vocalist Naphtali, percussionist/conductor
Danny Tunick and DMA Columbia University composer/vocalist Brazelton)
to the traditional punk-rock trio format (electric guitar, bass and
drums). Even more core to the radical BAT? concept, is the
technological virtuosity demonstrated by Naphtali (live interactive Max/MSP,
New York University), and Brazelton (Columbia Computer Music Center
software synthesis) in their seamlessly well-rehearsed live (no overdubs)
polyphonic overlay and turn-on-a-dime shifts of walls of sound. The
result is a heady brew of sonic delights, which blends the cathartic
immediacy of punk rock with the precise wit of the deftly composed chamber
madrigal and the philosophical implications of computer music.
The group's
June 2003 self-titled debut CD out on Tzadik/Oracles, showcased the
group's sublime, engaging and spacious music, earning wide acclaim:
"This is punk rock without
punk rock and free jazz transformed by a reliance on found sounds;
stop-on-a-dime arrangement; insane, seedy Lower East Side productionŠ
Brazelton and partner in disorder and mania
Dafna Naphtali
wreak havoc with great glee upon notions of song, electronic production,
improvisation, and avant-garde music as well... Brilliant and
dangerous." - Thom Jurek, All Music Guide. "A
wonderfully disjointed, frenzied soundscapeŠ. "What Is It Like To Be A
Bat?" contains shrieks, pops and thumps in a wild 52-minute collection of
music that echoes Edgard Varése and Captain Beefheart. Somehow, it all
works, as the dizzying soundscape never stays in one place for longŠ (an)
improvisational thunderstorm." - Michael J. Ryan, Boston Herald.
"This
sung-through concept album by Kitty Brazelton and Dafna Naphtali -- both
of whom boast four-octave ranges and know how to use them -- connects
opera to AC/DC to spoken word/performance art to electronics in minimalist
patterns and jump-cut transitions rich with resonance and musicality.
Invoking Erik Satie and Gertrude Stein among others, "Bat" answers more
than just what is it like to be one -- it suggests new musical
possibilities that draw on almost everything that's come before."
- Seth Rogovoy, Berkshire Eagle
KITTY
BRAZELTON (co-composer, voice, bass guitar, sampler, keyboard, CMIX-derived
soundtracks) founder of the digital-chamber-punk band WHAT IS IT LIKE TO
BE A BAT? is a composer (D.M.A. Columbia University 1994), Bennington
College professor, improviser, rock-mezzo and multi-instrumentalist
interested in infusing vernacular American dialects into deep, complex and
passionate structures. John Zorn calls her "a mover and a shaker in
the downtown scene; a singer, bandleader and composer of striking
originality," while the New York Times calls her "one of the
brighter lights of the downtown scene." Her full-length opera
Fireworks, commissioned by American Opera Projects, concerns an
extraterrestrial discovering the 4th of July, and incorporates Caribbean
rhythmic motifs, r& b and classic recitative, while a new Family Opera
Initiative commission Animal Tales, libretto by the late George
Plimpton and concept/dramaturgy by Grethe Barrett Holby, includes dj,
Latin jazz hand drums and chamber orchestra as well as multi-age choir,
workshopped in January 2005 at Florida's Atlantic Center for the Arts. She
leads exploded rock bands (her second CD with the nonet DADADAH, Love
Not Love Lust Not Lust, was hailed by Rolling Stone magazine as
an "album of impressive nerve") such as WHAT IS IT LIKE TO BE A
BAT? Making music with computer also led to her "sizzling
contribution" (Village Voice) to Hildegurls' Electric Ordo
Virtutum at Lincoln Center Festival '98 (four 21st-c. women composers
meet 12th-c. woman composer Hildegard von Bingen). Brazelton's chamber
music can be heard on CD in innovative works for the Manhattan Brass
Quintet and the California EAR Unit (CRI Emergency/New World) to which
Gramophone responded "few composers are as uninhibited in saying
exactly what they want to say," and WIRE Magazine said "There
are few musical styles and genres that she hasn't absorbed or embracedŠ
You might wonder how someone's musical appetite can be quite so voracious,
but the results are anarchic, wacky and hard to resist."
Throughout all, she champions a return to the universal nature of music.
DANNY
TUNICK (drums, dumbek & other percussion, keyboard, recorder,
conductor) is a trail-blazing New York City-based percussionist/conductor
who joined BAT? after performing with Brazelton in composer Randy Woolf's
band Camp. In the classical realm, he has premiered works by Eleanor Hovda,
Julia Wolfe, Herbert Brun, Tania León, Evan Ziporyn, Zhou Long and "New-Complexitist"
James Boros, and conducted works by the likes of Pierre Boulez and Charles
Wuorinen. Tunick performs regularly with the Princeton Composers Ensemble,
the Common Sense Composers Ensemble, and Bang on a Can's Spit Orchestra;
in the rock sphere he plays with Rebecca Moore's "Prevention of
Blindness," and Barbez, whose third CD entitled "Insignificance" will be
released this September on Important Records. Recent CD releases include
an acclaimed performance of Terry Riley's "In C" with the Bang On A Can
All Stars, a CD of the chamber music of Princeton composer Dan Trueman
entitled "Machine Language," and a CD with works of Arnold Dreyblatt and
the Orchestra of Excited Strings. Danny received his BA in Music from the
University of California Berkeley, his MM from the State University of New
York Stony Brook, has toured internationally and is heard on
Upcoming shows at the Bendheim
Performing Arts Center,
JCC of Mid-Westchester for September/October 2005
Photo:
June Gable in Picon Pie.
PICON PIE – THE MOLLY PICON
MUSICAL. Off Broadway comes to Westchester! Direct from New York, the
Bendheim presents a musical biography of Molly Picon, the First Lady of
Yiddish Theatre and the Queen of Second Avenue. She brought Yiddish
Theatre from the shtetls of Eastern Europe to Broadway, all the way to
Hollywood where she was nominated for an Academy Award. Starring as Molly
Picon is Tony Award Nominee June Gable who was last seen as Estelle,
Joey’s chain-smoking agent on “Friends.” Schedule: Wednesday, September 21
@ 1pm. *Saturday, September 24 @ 8pm. Sunday,. September 25 @ 1pm & 5pm.
Tickets: $40/$35 Seniors and JCC Members ; Saturday's performance $50*.
*Saturday’s performance will include a Wine & Cheese Q&A with the writer
Rose Leiman Goldemberg, author of the drama Letters Home and the film The
Burning Bed, and actress June Gable. Pecan pie to be served! . Bendheim
Box Office: 472-3300 x403. For more information see [ http://www.thebendheim.org
]www.thebendheim.org.
Getting to Know You - The Lyrics of Oscar Hammerstein. Wednesday,
September 28, 2005, 1:00pm. Tickets: $23.00. With a career that spanned
almost 50 years, Oscar Hammerstein II’s musicals are among the greatest in
the history of the Broadway stage. This performance features pianist Mark
Toback, violinist Sandra Schipior, singers Victoria Baker and Jonathan
Hare, and narrator Karen Lynn Gorney.
Comedian Steve Solomon in The Man, The Music, The Mishugginah . Saturday,
October 1, 2005, 8:00pm. Tickets: $38.00. Comedian, storyteller, pianist
extraordinaire, Solomon has dazzled audiences all over Europe and the
United States for over twenty years with his hilarious impersonations,
crazy characters, astonishing dialects and sound effects.~This hysterical
shtick is not to be missed!
Photo:
Livingston Taylor.
An
Evening with Livingston Taylor. Saturday, October 22, 2005, 8:00pm.
Tickets: $38.00. A devoted fan base has celebrated singer-songwriter
Livingston Taylor's career for over thirty years. His prolific writing and
performing has produced twelve albums and about 100 songs, as well as
propelled him into perpetual tours, solo and with the best of rock n’ roll
legends including Linda Ronstadt, Jimmy Buffett, Fleetwood Mac, Jethro
Tull and his brother James.
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Steven Brinberg is Simply Barbra! Saturday, October 29, 2005,
8:00pm. Tickets: $35.00. Don’t miss a fantastic evening of comedy cabaret
starring the premier Barbra Streisand impressionist, Steven Brinberg.
Sold-out audiences all over the world have cheered his extraordinary
voice, the song, the chit-chat and his incisive comic timing. Close your
eyes and you will swear you’re listening to Barbra herself!
Introducing The Bendheim Junior Performance Troupe. This new acting troupe
for children in grades 2-12 will be presenting ALADDIN on the Bendheim
stage in December 2005. Rehearsals being in November. Open Auditions
to be held at the Bendheim Theatre on: Thursday, October 6 from 6-8pm.
Sunday, October 9 from 10am - 12pm. For more information, contact Debbi
Katz at 472-3300 x302
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ART: PAINTING & EXHIBITIONS
OPENING
RECEPTION FOR ARTIST LISA SEROR U.S. Debut of “Crossings” at the Chelsea Art Museum, 556 West 22nd Street, New York, NY 10011. September 15, 2005, 6 PM – 8 PM.
Lisa Seror, a Jewish Tunisian artist from the Hafsia quarter, currently residing in France, will showcase her work in the US for the first time. Her show “Crossings” will be viewed at the Chelsea Art Museum. The exhibition is organized under the patronage of the World Jewish Congress and the European Jewish Congress. Additionally, Bady Ben Naceur will sign his book Traversée exhibition curated by Helen Selikowitz Modini. Lisa Seror’s paintings, filled with empty chairs, are suffused with an astonishingly warm light, by turns subtle and bold. This warmth is tempered not by the clouds of her northern European home but by the cool shadows of the narrow streets and gardens of the old city of Tunis, where she lived as a child.
Reminiscence by Seror
